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没有和解

影片信息

  • 片名:没有和解
  • 状态:HD
  • 主演:Heinrich Hargesheimer/Carlheinz Hargesheimer/Martha Staendner/达尼埃尔·于伊耶/Henning Harmssen/Ulrich Hopma/
  • 导演:让-马里·斯特劳布达尼埃尔·于伊耶/
  • 年份:1965
  • 地区:其它/
  • 类型:剧情片/剧情/
  • 时长:内详
  • 上映:1965
  • 语言:其它
  • 更新:2024-07-17 07:56:44
  • 简介:  The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory pa
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给影片打分 在线资源免费看 - 让-马里·斯特劳布,达尼埃尔·于伊耶导演的《没有和解》- 1965剧情片,剧情片-开运影院
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剧情简介

  The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory pa 展开

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